Double vinyl LP pressing. 2012 release from the Compton-based Hip Hop artist. Currently signed to Top Dawg, Aftermath and lnterscope. Lamar is a member of Hip Hop supergroup Black Hippy, along with fellow West Coast rappers and label mates Jay Rock. Schoolboy Q and Ab-Soul. He first gained major attention after being mentioned by Dr. Dre resulting in a buzz for the, then upcoming. release of his fourth mixtape. Early in his career, Lamar amassed a large internet following, and had already worked with Snoop Dogg, Dr. Dre, Wiz Khalifa, Game, Drake, Rick Ross, Meek Mill, Talib Kweli, Lady Gaga, Kid Cudi, Busta Rhymes, E-40, Warren G, Bun B, Tech N9ne and Lil Wayne among other popular artists.

Deluxe double vinyl LP pressing. Painted is the debut studio album by American singer Lucky Daye. The album received a nomination for Best R&B Album at the 62nd Grammy Awards, while the album's lead single "Roll Some Mo" received nominations for Best R&B Song and Best R&B Performance. Album cut "Real Games" received a nomination in the Best Traditional R&B Performance category.

Limited vinyl picture disc LP pressing. Purple Rain is the sixth studio album by Prince, the first to feature his backing band The Revolution, and is the soundtrack album to the 1984 film of the same name. Purple Rain is regularly ranked among the best albums in music history, and is widely regarded as Prince's magnum opus. Time magazine ranked it the 15th greatest album of all time in 1993, and it placed 18th on VH1's Greatest Rock and Roll Albums of All Time countdown. Rolling Stone ranked it the second-best album of the 1980s and 76th on their list of the 500 Greatest Albums of All Time. The first two singles from Purple Rain, "When Doves Cry" and "Let's Go Crazy", topped the US singles charts, and were hits around the world, while the title track went to number two on the Billboard Hot 100. The album was certified thirteen-times platinum (diamond) by the RIAA.

Every Ray Charles album post-1960 is represented here, along with singles not available on any of his previously released albums. Most of these recordings will be available on major streaming services for the very first time in a decade or more. Released on Ray Charles own Tangerine Records and remastered from the original masters, you can now stream all of your favorite hits.

The True Genius box set consists of 6 discs including a never before released live concert from Stockholm in 1972. A beautifully designed, coffee table style book includes rare, unseen photos and other Charles memorabilia. The liner notes were written by Quincy Jones, Valerie Ervin and A. Scott Galloway.

This prestigious release and the campaign that surrounds it will create long awaited access to Ray’s music to generations of fans around the world as well as target new fans that will hear his music for the very first time.

Double translucent blue vinyl LP pressing. The 20th-anniversary edition of Country Grammar includes bonus tracks "Icey," "Come Over," "Country Grammar (Instrumental)," and "Ride Wit Me (Instrumental)," all four on vinyl for the first time.

Kamasi Washington composed and produced the original score for Becoming, the four time Emmy-nominated film that provided an intimate glimpse into the life of Michelle Obama. Produced by Netflix Originals, Becoming documented a moment of profound change for the former First Lady, not only for her personally but for the country she and her husband served over eight impactful years in the White House. Washington, who joined the project in its embryonic stages, provides the powerful musical backdrop. Young Turks Recordings will be releasing Vinyl and CD of this Emmy nominated score on Dec 11th 2020.

Anywhere But Here encompasses many different themes - the exploration of my queerness, lost love, abuse, abandonment - and all the things I wanted to get away from. I titled the album Anywhere But Here because I wrote each song when I was living in a home that I didn't want to be. In hindsight, 'here' was exactly where I needed to be. I was certain that the problem was where I was living. Sometimes, in the most frugal spaces, I would dream about what it would be like to not be without. It helped me realize that the problem wasn't the spaces but rather the discomfort that I had within myself. It took years to awaken to this reality. We're all good and we're all bad. How we see the world influences how we function together as one humanity. I pray we all push through together.

Following his triumphant performances at the 2022 Coachella Music and Arts Festival, Danny Elfman delivers Bigger.Messier., an ambitious double-album collection of remixed and reimagined tracks from his highly acclaimed Big Mess album. This sprawling, 23 track collection (available on 2 LP or 2 CD) features tracks reworked by some of the most groundbreaking and subversive artists around today. Bigger.Messier. views the Grammy and Emmy Award-winning composers songs through the lens of luminaries from diverse sides of the music business, including Trent Reznor, Iggy Pop, Squarepusher, and Ghostemane. Elfman once again has achieved a kind of artistic liberation on the record that had been eluding him for decades, and connecting him to brand new audience. Born and raised in southern California, Elfman began his career as part of a surrealist, avant-garde musical theater troupe known as The Mystic Knights of Oingo Boingo. The group would eventually morph into the critically acclaimed rock band Oingo Boingo, whose high-energy performances and genre-bending sound garnered them a fanatically devoted cult following in the 1980s and ’90s. Among the group’s early fans was fledgling director Tim Burton and Paul Reubens (aka Pee-wee Herman), who enlisted Elfman to score their first feature film, Pee-wee’s Big Adventure. The collaboration would prove to be the start of a long and fruitful partnership for Elfman and Burton, with Elfman going on to score a string of iconic Burton features like Batman, Beetlejuice, Big Fish, Edward Scissorhands, and The Nightmare Before Christmas. To date, Elfman has scored more than 100 films.

Collective Soul's long-awaited 2022 album release VIBRATING sends the band's artistic spirit into the next stratosphere. All ten songs that comprise VIBRATING positively pulsate with the boundless energy that has been Collective Soul's aural calling card for going on three full decades. From the propulsively gnarly kiss-off of "Cut the Cord" to the reflective midtempo jangle of "Take" to the heart-wrenching reality check of "Rule No. 1" - replete with a soaring string section, no less! - to the choir-backed emotional crossroads of "Where Do I Go," VIBRATING contains 42 minutes of irrefutable sonic evidence of a band wholly uninterested in sitting still. "I think we're on a roll," observes Ed Roland, Collective Soul's frontman and chief songwriter. "We're not afraid to stretch the boundaries - but we do know how to stay in our lane when we need to. Sometimes, though, we just have to go faster." The many good vibrations embedded within the deep-rooted grooves of VIBRATING await your endless enjoyment. -Mike Mettler, official Soulographer

Chaos in Bloom, arriving August 12th, 2022 via Warner Records. Marking the first album of their career to be produced by frontman John Rzeznik, the record finds the band at the top of their game and continuing to constantly evolve just as they have for nearly four decades together. Consisting of 10 tracks, Chaos in Bloom is an album of biting sarcasm, stadium-ready choruses, and the type of spear-sharp songwriting that’s led them to becoming one of the most influential alternative rock groups of all time.

While Chaos in Bloom isn’t necessarily an album borne out by the pandemic, many of the tracks reflect on all of the things in daily life that became amplified while everyone was isolated from one another and sequestered at home. “Chaos in Bloom reminded us how special this whole thing is and to cherish the relationships that we have together,” says Rzeznik about the album. “Where we’ve been, and where we’re going.” Oscillating from personal reflections on the state of the world to societal commentaries, the songs on the album grapple with observations about our dystopian modernity while searching for optimism and pushing for a more empathetic world. “I’ve been trying to have a relationship with the bigger picture,” adds bassist and songwriter Robby Takac, “and refining happiness and what it means from that perspective.”

To record the album, Rzeznik and Takac retreated to Dreamland Studios just outside Woodstock, New York during the pandemic. An environment as remote as it is rich with historic rock music roots, the location proved to be the perfect setting for clearing the noise and creating such a record, which carries a true live quality that the band captured by blending vintage instruments and gear with new-age recording processes and techniques.